the Herbie Hancock school · ii–V–I in E major

Upper-Structure Triads in E Major

F♯m11 B7(♯9♭13) Emaj9
Two hands as engraved.
↓ Free MIDI All voicings in E

The audio adds each chord's root in the bass — that's the context these rootless shapes are designed to sit in. The MIDI file is exactly the notation.

The notes

ChordNotes (low → high)Formula
F♯m11 A – E – E – G♯ – B ♭3 · ♭7 · ♭7 · 9 · 11
B7(♯9♭13) A – D♯ – G – B – D ♭7 · 3 · ♭13 · root · ♯9
Emaj9 G♯ – D♯ – B – D♯ – F♯ 3 · 7 · 5 · 7 · 9

Why it works

From F♯m11 to B7(♯9♭13), 4 voices move (E4→D♯4, E5→G5, G♯5→B5, B5→D6) against 1 held tone. Into Emaj9, 4 voices settle by step or small leap (total motion of just 25 semitones). Smoothness here is measurable, not a metaphor.

In E major, 6 of the 15 notes fall on black keys — a mixed terrain that is exactly why this progression must be practiced in every key, not just C. The lowest note is G♯3 in the octave below middle C; below roughly C3, close intervals start to blur, and this voicing stays clear of that line.

Practice tip: play the progression rubato first and listen for the held tones, then put the metronome on 2 and 4 at a slow tempo. When the grab is automatic, move around the circle of fourths — you are coming from B and headed to A. Say the chord symbols out loud as you play; naming and hearing are different skills, and you want both.

Where E major lives in the repertoire

E major is nearly absent from the classic songbook — which is precisely why it shows up in auditions and why modern composers (and guitarist-led bands) reach for it. Treat this page as insurance: the cadence feels different when the 3rd of the tonic is a black key under your thumb, and you want to have met that feeling before the gig does.

About this voicing style

A plain major triad stacked over the guide tones — simple triad, sophisticated colour. Read the full story and get it in all 12 keys →

Listen: Herbie Hancock behind Miles and on "Maiden Voyage"; McCoy Tyner's right-hand triads; Bill Dobbins' pedagogy.

Around the circle

Practice keys in the order bassists walk them — up a fourth: ← B  ·  E  ·  A →

Same key, other sounds