The reference
All Voicings
Six classic voicing styles × twelve keys. Rows are sounds, columns are keys — click any cell.
By style
the Bud Powell school
Shell Voicings
Two notes per chord — root plus 3rd or 7th. The bebop left hand.
the Bill Evans school
Rootless Voicings — A Form
The classic four-note left hand: 3–5–7–9 grammar, no root, maximum color.
the Bill Evans school
Rootless Voicings — B Form
The same rootless grammar inverted: 7th on the bottom, for the keys where A form sits too low.
the Red Garland school
Block Chords
A chiming right-hand octave with a fifth locked inside, over a rootless left hand.
the McCoy Tyner school
Quartal Voicings
Stacked fourths over open fifths — the modern, open, modal sound.
Bill Evans, Kind of Blue
The "So What" Voicing
Three fourths plus a major third on top. One grip, planed across all three chords.
the big-band arranging tradition
Drop 2 Voicings
A close four-note chord cracked open — the second voice from the top dropped an octave.
the Teddy Wilson school
Stride Tenths
The swing-era left hand: root and third spread a tenth apart, under a right-hand chord.
the Herbie Hancock school
Upper-Structure Triads
A plain major triad stacked over the guide tones — simple triad, sophisticated colour.